Ex Libris: a commission

Ex Libris: a commission

It’s not very often that an opportunity comes along to create something unique and personal in printmaking. Relief prints, by their nature, can be printed repeatedly from a single block, and are therefore usually made in editions of (nearly) identical prints, to be...
For the Love of the Toon

For the Love of the Toon

Howay the Lads is a print unlike any other I’ve made. It’s important to me that, far from being an accurate representation of a place or an event, it represents a feeling, a noise, a surging of excitement, a passion. It depicts that moment before the team runs on to...
Greymare: the life story of a print

Greymare: the life story of a print

On a windy day in February 2023, I set out armed with a flask of soup, some fingerless gloves and my sketchbook, to the village of Craster on the Northumberland coast. From there it was a short walk along the grassy coastline to Dunstanburgh castle. The castle is a...
Snowdrops: making a reduction print

Snowdrops: making a reduction print

I’ve always loved snowdrops – probably because they’re the first flowers to appear in the new year, reminding me that spring is on the way. A few years ago, we dug up the horrible tarmac outside our house and planted a proper front garden, with a wooden garden gate...
Make do and mend: a drying rack for the studio

Make do and mend: a drying rack for the studio

For years I’ve been dreaming of owning a proper drying rack. By this I mean one of those vintage wooden racks, beautifully carved, with glass marbles nestled in the holes to hold the paper in place. Up until now, I’ve dried my prints flat – laid out along the table...
Barngates: a view of the fells

Barngates: a view of the fells

In the autumn of 2022, I spent a couple of days in a Lakeland pub with my husband, taking blustery walks during the day with enormous doorstep cheese and pickle sandwiches, and supping beer from the in-house brewery in the cosy bar in the evenings. Our room was out...